Monday, 28 July 2014

Capital Celluloid 2014 - Day 226: Fri Aug 15

Brief Encounter (Lean, 1945): Royal Festival Hall, 7.30pm

This is a special screening of David Lean's movie accompanied by live music from the London Philharmonic Orchestra. The centrepiece of a three-week series of films screened in Royal Festival Hall, Brief Encounter is shown with a newly commissioned orchestral soundtrack by Southbank Centre's Resident Orchestra for three nights only on the 15th, 22nd and 29th August.
This performance is introduced by actor Lucy Fleming (daughter of Celia Johnson) and a complete performance of Rachmaninov’s Piano Concerto No.2 precedes the screening. Full details here.

The BFI Film Classics collection includes this film - it is written by Richard Dyer and I can thoroughly recommend it. Details here

Time Out review:
Nighttime; a railway station in Britain, circa WWII. An express train races through the smoky darkness, Rachmaninoff’s second Piano Concerto rages, and a man and a woman—their intimate tête-à-tête interrupted by a prissy acquaintance—silently say farewell, his hand lightly gripping her shoulder in lieu of a kiss. What led devoted housewife Laura Jesson (Celia Johnson) to this point? The memories flood in after she arrives home to her husband and two children: that speck of grit that flew in her eye all those months before, which brought Dr. Alec Harvey (Trevor Howard) to her aid and led to an impulsive, mostly chaste affair. A love, of course, that couldn’t last.
David Lean’s classic weepie, adapted from a Noël Coward play (Still Life), is sheer perfection—the gold standard of tragic romances whose influence can still be seen to this day. (Andrew Haigh’s recent indie Weekend gave the basic template a queer twist, and plenty have interpreted Coward’s story as a coded gay romance.) Johnson and Howard’s repressed passion could fuel an English tank battalion, and the shadowy black-and-white cinematography—a love story drenched in noirish tones—looks especially gorgeous in this new 4K restoration. But it’s not all tears and anguish: Lean and Coward leaven the film’s inevitably upsetting outcome with a few pointedly satirical asides, the best of which is a movie-within-the-movie (Flames of Passion) that does all the emoting Brief Encounter’s prim-and-proper protagonists can’t.
Keith Uhlich

Here (and above) is the trailer.

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