Wednesday, 23 May 2012

Capital Celluloid 2012 - Day 150: Tue May 29

Landscape Suicide (Benning, 1986): Bethnal Green Working Men's Club, 8pm

This screening is from the Close-Up film club. Here is their introduction to the night:
For 40 years, James Benning has been a singular, defiant voice in the American independent film scene. In Landscape Suicide, he effortlessly strides the boundaries of narrative and documentary forms as he recounts two infamous murder cases that took place almost 30 years apart.
More details on the Close-Up website here.

Chicago Reader review:
'All of James Benning's features can be regarded as shotgun marriages in which he attempts to wed his distinctive formal talents and interests—framing midwestern landscapes with beauty and nostalgia, using ambiguous offscreen sounds to create narrative expectations—with an intellectual or social rationale. Landscape Suicide (1986) was almost certainly his most successful and interesting foray in this direction since One Way Boogie Woogie (1977). Delving into two murder cases—Bernadette Protti's seemingly unmotivated stabbing murder of another teenage girl in a California suburb in 1984, and Ed Gein's even more gratuitous mass slayings and mutilations in rural Wisconsin in the late 50s—Benning uses actors to re-create part of the killers' court testimonies and juxtaposes them with the commonplace settings where these crimes took place. Boldly eschewing the specious psychological rhetoric that usually accompanies accounts of such crimes, he creates an open forum for the spectator to contemplate the mysterious vacancy of these people and these places, and their relationships to each other. The performances of both actors, Rhonda Bell and Elian Sacker, are extraordinary achievements, and the chilling, evocative landscapes have their own stories to tell; the fusion of the two creates gaps that not even the film's confusing title can fill, but the space opened up is at once powerful and provocative.'
Jonathan Rosenbaum

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